This entry was originally posted on Monday, October 22, 2012
Mother and Child
By
Mary Cassatt
1890
Photographs
can be valuable references to paint from.
However,
photographs usually capture everything in crisp, clear detail.
Life
is not like that.
When
we look at an object, we only see the object in detail.
Our
peripheral vision (our vision that occurs outside of the very center of our
gaze) will sense and be aware of certain objects that are there but they are
out of focus. We may not even know what the objects are, just that they are
there.
They
only come into focus when we change our gaze or adjust our head to see it more
clearly.
Sometimes
when we paint from a photograph, we are tempted to paint everything in detail
just like what the photograph captured.
There
is nothing wrong with that.
This
is great when trying to capture the calmness of a still life or a setting.
However,
a painting might make a stronger statement if only the focal point is in crisp
detail and the objects around it are softer and out of focus.
It
also works well when trying to capture movement and motion.
Some
of my favorite artists did not have the same advantages that we have with
photographs.
They
relied more on painting from life and became aware of how our vision works.
Mary
Cassatt and Edgar Degas, among others, are two artists that sought to capture
this.
Their
paintings only put the detail where they want your eye to go, thus creating
movement throughout the image and giving you a sense of really being there.
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